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| Shadow Plays Spring/Summer 2011 |
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Contemplating the Void:
Marie-Jeanne Musiol's Black Holes By Celina Jeffery Looking for Fidel By Dot Tuer Insurgent Acts: The Art of Kara Walker By Sheila Petty Portrait of a Masked Man By John Berger Portfolios by: Jocelyne Alloucherie Manon De Pauw Diane Landry Marie-Jeanne Musiol Regina Silveira Kara Walker various photographers from the Prensa Latina archives |
| The Biennial Phenomenon Fall/Winter 2010 |
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Biennial Fever
By Barbara Fischer Site Seeing: An Art Tourist Visits the Santa Fe Biennial By Laurie Davis Who Let the Dogs Out?: Stan Denniston's Los soñadores By Jennifer Rudder The New El Dorado By Common Culture Portfolios by: Bill Burns Paul Chan Stan Denniston April Hickox Jesús Jiménez Bill T. Jones and OpenEnded Group Chris MacKenzie Mary Reid Kelley Clifford Ross Clare Samuel |
| Border Cultures Spring/Summer 2010 |
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Hans Ulrich Obrist in conversation with Zineb Sedira
The 11th International Istanbul Biennial: What Keeps Mankind Alive? By Kathleen Ritter, Jamelie Hassan and Josée Drouin-Brisebois Border Rituals By Lee Rodney A line of poetry By Rabih Mroué Portfolios by: Mounira al Solh Nevin Aladag Lado Darakhvelidze Decolonizing Architecture Gaston Zvi Ickowicz Michael Love Patrick Mahon Ossama Mohammed Hrair Sarkissian Zineb Sedira Eric Smith David Taylor |
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Archival Legacies |
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Posthumous Collaboration
By Monika Kin Gagnon Zoe Leonard's Object-Based Photography By Jordan Troeller Jamal Cyrus on the Cut: Pride Records 1967-1975 By Jacob Korczynski Simple Time By Sudhatri Murthy Portfolios by: Barbara Balfour Rose Bouthillier Neil Cummings and Marysia Lewandowska Jamal Cyrus Zoe Leonard Kyla Mallett Stephen G. Rhodes Gabor Szilasi |
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Image Banks |
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Assembling the Givens
By Peggy Gale Between Image and Remembrance: The Psychic Residences of Body Missing By Dot Tuer Marlene Creates: Interrogative Movement By Jan Allen Maid Sleeping, 18 Stafford Terrace By Sarah Robayo Sheridan Portfolios by: Marlene Creates Jeremy Drummond Vera Frenkel Christian Giroux and Daniel Young Peter Granser Angela Grauerholz David Maisel Jayce Salloum |
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Technology and the Body |
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The New Chronic: Culture, Politics, Medicine
By Eric Cazdyn The Extraordinary and the Everyday: Perspectives on the 55th Carnegie International By Amanda Delorey and Marnie Fleming BioKino: The Living Screen By Shannon Bell Gathering Waterlilies By Sophie Hackett Portfolios by: BioKino Max Dean Erika DeFreitas Thomas Hirschhorn Mike Kelley Mathias Kessler Rosario López Ranjani Shettar Cheryl Sourkes Penelope Umbrico Jennifer Willet |
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The Last Photograph |
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A Beautiful Death: On Rosângela Rennó's Ultima Foto By Cuauhtémoc Medina Uncanny Figures and mean body By Kim Sawchuk Laws of Glass: The Ten Commandments/Prohibited Weapons By Louis Kaplan Three Irishmen Kneeling on Rocks Kenneth J. Harvey Portfolios by: Robert Burley Nichola Feldman-Kiss Johannes Franzen Simon Glass Ryoji Ikeda Rosângela Rennó David Rokeby |
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Walking and Consciousness |
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Critical Peripateticism By Imre Szeman Documenta 12: What Is To Be Done? By Warren Crichlow Stray Dogs and Urban Ghosts: Walking with Francis Alÿs By Deborah Root Syrian Desert By Lorraine Field Portfolios by: Ai Weiwei Francis Alÿs Andrea Geyer/Sharon Hayes/Ashley Hunt/Katya Sander/David Thorne Luis Jacob Sanja Ivekovic Amar Kanwar M. Simon Levin & Laurie Long Virginia Mak Iñigo Manglano-Ovalle Hugh Martin Helen Verbanz Andrew Wright |
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Spectral Light |
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THIS ISSUE IS SOLD OUT Deuil: New Work by Spring Hurlbut By Maia-Mari Sutnik Architectural Fragments, Sculptural Illusions, in Out of Space: Photography and the Sculptural Imagination; A Dazibao Intervention By Susan Edelstein Manufacturing Humanism: Steichen/Burtynsky By Janine Marchessault Portfolios by: Albano Afonso Edward Burtynsky John Duncan Julio Grinblatt Spring Hurlbut Tania Kitchell Nestor Krüger Marie-Jeanne Musiol Sarah Pickering Daniel Von Sturmer Erwin Wurm Amon Yariv |
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Time Passages |
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Wild Things: The Photographic Worlds of Jim Breukelman By Karen Love Embracing Dissent: Perspectives on the 27th São Paulo Bienal Essays by José Roca, Elizabeth Matheson and Keith Wallace Too Close to Home: Rethinking Representation in Martha Rosler's Photomontages of War By Heather Diack Portfolios by: Lida Abdul Lara Almarcegui Roy Arden Barbara Astman Yael Bartana Jim Breukelman Lia Chaia Marilá Dardot Miki Kratsman Sally McKay Amy Pelletier Martha Rosler Adam Swica |
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Face Values |
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I Don't Wanna Be in your Fuckin' Movie: Negotiating the Cinematic Eye in the Recent Work of Andrew Forster By Anja Bock I'll Make Me a World: Wedge Brings B(l)ack Portraits to Unexpected Places By Pamela Edmonds John Oswald's Disturbing Illusions of Time and Body By Earl Miller Coldspot By Robert Bean Portfolios by: Douglas Coupland Andrew Forster Marjaana Kella Liang Juhui Jennifer Long John Oswald Dawit Petros Yinka Shonibare Michael Snow Michael Taglieri |
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Impossible Landscapes Fall/Winter 2005 |
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Self-destroying Postcard Worlds: The Synthetic Landscapes of Isabelle Hayeur By Jan Allen Life in Venice: Physical Sensations at the 51st Venice Biennale Featuring contributions by Michelle Jacques, Natalie De Vito, Roberto Pinto, Scott McLeod The Incidental Landscape: Photographs from Eric Klemm's B.C. Project and Other Recent Works By Gary Michael Dault Portfolios by: Olafur Eliasson Carlos Garaicoa Geert Goiris Isabelle Hayeur Eric Klemm Mark Laliberte Arnaud Maggs Annette Messager Hans Schabus Greg Staats |
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Spring/Summer 2005 |
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La Habana del Este By Peter Hudson Damage Done: Materializing the Photographic Image By Vid Ingelevics Gateshead Revisited: Runa Islam's Scale (1/16 Inch = 1 Foot) By Kenneth Hayes Portfolios by: Patrick Altman Yves Arcand Thomas Barrow Kotama Bouabane James Casebere Max Dean Robert Frank Jennifer Givogue Paul Griffin Runa Islam Fiona McLaughlin D. Bradley Muir Manuel Piña Nicole Raufeisen & Ryan Witt Brett Weston |
Fall/Winter 2004 |
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Exhibit A: Photography from Atlantic Canada By Scott McLeod Between the Net and the Deep Blue Sea (Rethinking the Traffic in Photographs) By Allan Sekula I See a Darkness: Ultrasonic Memories By Terence Dick Portfolios by: Scott Conarroe Marlene Creates Stan Douglas Lorraine Field John Haney Thaddeus Holownia Gaye Jackson David Maisel Catherine Opie Steve Payne Paulette Phillips Ned Pratt Allan Sekula Scott Walden |
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Spring/Summer 2004
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Paint It Black: Expect Delays: Image Bank: Portfolios by: |
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Fall/Winter 2003
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Here Kitty Kitty |
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Spring/Summer 2003
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Specular Towers: Architecture and the Aerial View |
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Fall/Winter 2002
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Design and Crime |
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Spring/Summer 2002
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Tableaux and Text in the Work |
| Fall/Winter 2001 | |
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Richard Kerr's Recuperation:
After Motion Pictures and Les Collages de Hollywood by Bart Testa The Final Frame What Remains by Kyo Maclear The Ambivalent Yearnings of Shirin Neshat by Deborah Root Portfolios by: Richard Kerr Tim Saltarelli Jerry riley Associated Press Serge Clement Stacey Tyrell Shirin Neshat Geoffrey James |
| Spring/Summer 2001 | |
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Awesome Ambiguity: Edward Burtynsky's Industrial Landscapes
by Rosemary Donegan Twilight of the Real: The Photographs of Robin Collyer The Unseen Photographs of Forensic Identification Services Portfolios by |
| Fall/Winter 2000 | |
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Private Eyes, Public Eyes: Photography and the Surveillance Society
by Heather Cameron Genevieve Cadieux's Baroque Logic Documenting Typical Industrial Workplaces: Peter MacCallum's Interiors Portfolios by |
| Spring/Summer 2000 | |
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THIS ISSUE IS SOLD OUT
The Resurrection of the Surreal in the Photography of Janieta Eyre By Andrea Picard Posing Questions: Donigan Cumming's Moving Stills Abandon Hope All Ye Who Enter Here: Stan Douglas's Le Detroit Portfolios by |